Simpson Gallery – 6th Jun 2019 – 1st Dec 2019
Geometric abstraction is a form of abstract art based on the use of geometric forms. Organic abstraction is the use of rounded or wavy abstract forms based on what is found in nature. This field of painting emerged in the early 20th century following Cubism’s shattering of established conventions of form and space.
Drawn from the Benalla Art Gallery collection, the artists in this exhibition explore the possibilities of mixing geometric and organic shapes to create striking compositions. A range of approaches are evident, from the hard-edge and minimal work of John Sandler and Peter Booth, to the gestural abstraction of Roger Kemp and the more conceptual approaches of Sydney Ball, George Johnson and Rosalie Gascoigne. Dick Watkins’ stylistically eclectic neo-pop work, Minerva hangs in a diamond shape and references literature, music and art history.
Emily Kame Kngwarreye shares her personal cultural legacy in Untitled (Awelye – my dreaming) by using elegant organic black lines that represent strong connections to community and country. Yvonne Audette has a distinctive abstract vocabulary and Harbour Lights from her Cantata series incorporates the abstract expressionist style for which she is renowned.
This exhibition celebrates some of Australia’s most significant abstract artists whose paintings use precise geometry and natural organic forms to communicate themes and ideas with a clear visual language of shape, form, colour and line.
Artworks on display are from the Benalla Art Gallery permanent collection.
Image: Rosalie Gascoigne, Banner #1, 1992, retro-reflective road sign and linoleum on composition board. Gift of the artist, 1994.
